Arts Mid-Hudson Folk Arts Program supported in part by:
Upcoming Cultural Programs
All programs are free and open to the public unless otherwise noted.
*Denotes collaborative program
April 9 – Mexican Children’s Day at Ellenville Public Library, Ellenville
May 14 – “Stuffed”: an interactive, multicultural program about stuffed, rolled and/or filled traditional foods made and eaten by members of different cultural communities residing in the Mid-Hudson Valley. At the program, youth and adults can learn about some culturally iconic foods, interact with members of the different cultural groups, sample culture-specific traditional foods, and make a simple version of some of the foods being sampled. Adriance Memorial Library, Kingston
June 5 – Kingston Multicultural Festival at TR Gallo Waterfront Park/The Rondout, Kingston*
August 7 – La Guelaguetza at Waryas Park, Poughkeepsie*
September 10: Japanese Tea Ceremony at the Innisfree Gardens, Milbrook (rain date September 18)
September 25 – One River Many Streams Folk Festival, Beacon (rain date Oct 2)
October 15 – Ukrainian Children’s Day at the Ellenville Public Library, Ellenville
What is the Folk Arts Program and what does it do?
The Arts Mid-Hudson’s Folk Arts Program works with Mid-Hudson Valley-based folk artists and traditional bearers to preserve and present the rich heritage and diversity of area residents.
The staff folklorist identifies and documents various arts and traditions practiced among different communities living in the Mid-Hudson Valley by doing ethnographic fieldwork.
Ethnographic fieldwork explores how cultural communities celebrate themselves and can include taking pictures, conducting interviews, and attending formal and informal community events. Based on this research, the folklorist, in collaboration with community organizations, presents the folklife of cultural, ethnic, occupational, regional, and religious groups at public programs ranging from festivals to library interactive events to lecture-demonstrations.
The Program also offers Technical Assistance to area cultural organizations and traditional artisans.
What are “folk arts,” “folklore” and “folklife”?
Korovai is the traditional Ukrainian wedding bread. This elaborately decorated example was made by a member of the Mid-Hudson Valley Ukrainian community.
These three terms refer to various traditional forms of creative expression practiced among groups of people, forms of expression through which members of a group affirm and pass on their shared identity.
Folklife can be“material culture” (meaning it is tangible), like the particular architectural features that define a Russian Orthodox Church, a quilt made by a quilting bee or a traditional Chinese knot. Folklife can also be ephemeral or intangible, like singing done by a Poughkeepsie gospel choir, knowledge of where to source edible wild mushrooms, superstitions about predicting the changing weather. Some traditional forms, like dance and foodways, are episodic or ephemeral.
Some other examples of folk arts include culturally- or regionally-specific music, traditional domestic crafts, foodways, crafts associated with a hobby, traditional activities possible only in certain geographic locations, community celebrations and festivals.
Who has folklore and how is it learned?
Everyone has some folklore in their lives. Folklore exists within families, church groups and cultural groups, among co-workers, students and neighbors.
Visitors practice kanji, Chinese characters, at a Folk Arts Program-sponsored Kakizome, the traditional first writing on the New Year.
The group or community may be defined by almost any commonality, including age, gender, occupation, religion, hobby, ethnicity or geographic location. Folklore is learned informally, passed from generation to generation. Although folklore may change a bit with each successive generation, these traditions are remarkably stable. They continue to be practiced and shared because they are meaningful to the community that performs them.
Because folk arts, folklore and folklife are creative expressions of a shared identity based on a common past, they come to symbolize group identity. Through these expressions we can learn about the groups that practices them.
Want to get involved or want more information?
We welcome your suggestions for future projects and ideas about how we can work with you to celebrate your community’s heritage. We often collaborate with community and cultural organizations to offer culturally sensitive, informative public programs. Please be in touch with us if you have ideas about how we can help preserve and present your group’s folklore or if your group might benefit from technical assistance.
Call 845.454.3222 or
Examples of regional folklife
Poughkeepsie High School is home to the award-winning Step team, Steppers with Class. In 2013, the AMH folklorist and Zoe Van Buren, then a Vassar College student interning with the Folk Arts Program, conducted preliminary ethnographic research with Steppers with Class. The video clip below, part of that ethnographic documentation, will give you a sense of this traditional expressive form’s creativity and physicality. This essay by AMH intern Zoe van Buren contextualizes Steppers with Class within the African-American step tradition.
This two-part video clip (1:15) shows Steppers with Class practicing in the parking lot behind Bardavon 1869 Opera House in Poughkeepsie shortly before performing at the Black History Month Step Show.
Steppers with Class, practicing and performing
This video clip (:57) shows a segment of another piece performed by Steppers with Class at that same Black History Month program.
Steppers with Class, performing
Kuchipudi, one of six classical dance styles of India, originated in the 17th entury, in the village Kuchipudi in Andhra Pradesh, India. Kuchipudi is unique among other Indian classical dance styles due to its blend of performance techniques – it is not merely a dance form but is a combination of dance, mime-type facial and hand gestures, speech, and song. A Kuchipudi dancer has to be well versed in dancing, acting, music, and various languages and texts. The splendor and mystery of Kuchipudi lies in its fast and intricate footwork, elegant grace, and use of the eyes to express moods and feelings. Through their complicated rhythmic footwork, beautiful hand gestures and dramatic facial expressions, Kuchipudi dancers tell stories from Indian mythology and Hindu scripture.
Kuchipudi began as a men’s dance. Around the 1930s, the maestro Vedanta Lakshmi Narayana Sastry created ripples in the world of dance by introducing women dancers to Kuchipudi. Since then, Kuchipudi has evolved to include both group and solo performances by both men and women.
This video clip (1:09) shows a segment of the Kuchipudi dance Thillana, performed by current and former students of dancers of guru Kantham Chatlapalli. Guru Chatlapalli is a highly esteemed Indian classical dancer, teacher, and choreographer. She directs the Hopewell Junction-based Natya Nikethan School of Indian Classical and Folk Dances.
Kuchipudi – Thillana
La Guelaguetza is a traditional celebration of Oaxacan regional culture and community building. The Poughkeepsie festival, organized by members of Poughkeepsie’s Oaxacan community, with assistance from the Folk Arts Program and several other community partners, is a vibrant display of folkloric dance, traditional Mexican and American food, and free activities for children. Among the highlights are traditional folk dances from the different regions of Oaxaca performed by dancers adorned in stunningly beautiful costumes sent from Oaxaca.Poughkeepsie’s La Guelaguetza takes place annually on the first Sunday in August – a not-to-miss summer afternoon of music, food, and dance.
Performance, 2014 La Guelaguetza
Examples of local folk Music traditions
koto_Hasako-Sasaki_033_hand-with-2-picks-playing-with-flashThe koto consists of a long wooden sound box with strings stretched across it horizontally and supported by movable bridges. To play the instrument, the musician plucks the strings to the right of the bridges with her right hand. At the same time, she uses her left hand on the other side of the bridges to change the sound of the notes by pressing down on a string before it is plucked to raise the pitch or after it is plucked to create a bending of the note.
Listen to Koto (MP3)
2014-ORMS_-Master-drummer-Kofi-Donkor-left-addressing-crowd_Credit-LORI-ADAMS“The drum is the musical instrument most commonly associated with Africa.”
This assertion from the Encyclopedia of African Religion articulates both an advantage and a challenge to this type of music that Ghanaian drummer Maxwell Kofi Donkor has experienced throughout his life. Kofi, a Hudson Valley resident and representative of the musical traditions of the Asante (Ashanti) people of Ghana, West Africa, enjoys success as he travels the region performing and teaching this widely recognizable form of African music.
Listen to Kofi (MP3)